A panoramic novel of European history, by an internationally bestselling writer.

The whole truth, as the name implies, is the collective knowledge of all those involved. Which is why you can never really piece it together again afterwards. Because some of those who possessed a part of it will already be dead. Or they’re lying, or their memories are bad.

It’s 1989, and in a small town on the Austria-Hungary border, nobody talks about the war; the older residents pretend not to remember, and the younger ones are too busy making plans to leave. The walls are thin, the curtains twitch, there is a face at every window, and everyone knows what they are not supposed to say.

But as thousands of East German refugees mass at the border, it seems that the past is knocking on Darkenbloom’s door.

Still, though, nobody talks about the war.

Until a mysterious visitor shows up asking questions.

Until townspeople start receiving threatening letters and even disappearing.

Until a body is found.

Darkenbloom is a sweeping novel of exiled counts, Nazis-turned-Soviet-enforcers, secret marriages, mislabelled graves, remembrance, guilt, and the devastating power of silence, by one of Austria’s most significant contemporary writers.

‘Journalism is quick, but literary art takes time. I have often wondered where it is, the great epic of complicity. Now it’s finally here. Darkenbloom is a nice idyllic small town, but we gradually find out what each of its inhabitants did back then and what they subsequently deleted from their memories. Darkenbloom is truly one of the great European novels of our time, one that sets standards for how fiction can treat history.’
-Daniel Kehlmann, author of Tyll

‘Eva Menasse has produced a masterpiece … While none of these motifs that Eva Menasse invokes are new, it feels like you’re experiencing them here for the first time in Technicolor and Dolby Stereo. How does she do this? Entirely through language. And that is why Darkenbloom is a novel that will last … As a novel, Darkenbloom is both a gripping linguistic thrill and a thriller – a thriller about coming to terms with the past. Until the very end, you want to know who knew what, and what they covered up or hushed up. The way Eva Menasse spreads this information throughout the novel in such a way that every word dropped at the beginning is resolved at the end and the suspense grows page after page is absolutely masterful … Eva Menasse’s novel is a stroke of genius.’
–DIE ZEIT

‘Darkenbloom stirs up, saddens, pulls you along – especially through its characters and is undoubtedly one of the most important books of this fall. Great.’
–NDR

Eva Menasse (Author)
Eva Menasse was born in Vienna in 1970 and has lived in Berlin for over twenty years. She began her career as a journalist, and has published several bestselling novels and short story collections, as well as essay collections. Her accolades include the Heinrich B ll prize, the Friedrich H lderlin prize, the Jonathan Swift prize, the Austrian Book Prize, the Ludwig B rne prize, and a fellowship at the Villa Massimo in Rome. Her books have been translated into numerous languages and have sold 500,000 copies.

Charlotte Collins (Translator)
Charlotte Collins studied English Literature at Cambridge University and worked as an actor and radio journalist in Germany and the UK before becoming a literary translator. Her co-translation, with Ruth Martin, of Nino Haratischvili’s The Eighth Life won the Warwick Prize for Women in Translation, and in 2017 she was awarded the Goethe-Institut’s Helen and Kurt Wolff Translator’s Prize for Robert Seethaler’s A Whole Life. Other translations include Seethaler’s The Tobacconist, Homeland by Walter Kempowski, and Olga by Bernhard Schlink.