The Work is a story set in two varying cities, tied together by two key elements: the art world and a heated romance. This dual perspective narrative follows Lally, a gallery owner in NYC, and Patrick, an antique dealer based out of Sydney.

Brought together by their linked industries, the two can’t seem to stay away from each other, and so they enter a long-distance relationship. I found these two characters to be both unique and complex, and it’s an interesting experience witnessing them through their internal monologue and that of the other character falling in love with them.

The sex throughout is regular and frank, though at times a bit performative. Pat and Lally are clearly attracted to each other’s intelligence and this world of art that connects them does lend to an air of elitism. While Patrick seems aware of this, because of where he comes from, Lally not so much.

There is a lacking sense of satire, but the writing and complex topics are the book’s saving grace. Lee is quick, smart and great at pointing out nuance. She explores power dynamics, consent, complicity, and appreciation with grace and confidence.

While the plot doesn’t dominate the story, the reading experience still moves along at a nice pace, and I found myself contemplating things I hadn’t given much thought to. Bri Lee’s debut into fiction is both exciting and different and I’ll be sure to pick up whatever she puts out next.

Reviewed by Annika Tague

Read a book review of Eggshell Skull by Bri Lee

Listen to a podcast with Bri Lee about her memoir, Eggshell Skull

ABOUT THE AUTHOR

I’ve written investigative journalism, opinion, short fiction, essays, and arts criticism.

I’m qualified to practice law (but do not) and have published peer-reviewed research. I’m currently doing a PhD in law at the University of Sydney where I also lecture in media law. I was the 2020 Copyright Agency x UTS Writer-in-Residence.

Together with the Women’s Justice Network I founded the ‘Freadom Inside’ project that gets books to women incarcerated in NSW. We’re now crowdfunding to pay women with lived experience to run book club programs for those still inside. Support them here.

Sometimes I give lectures, keynotes, and other kinds of speeches.

I live and work on Gadigal land in Sydney, Australia.